Tag Article List: Popular Culture

Ways of Decoloniality by The Painted Lady: Avatar: The Last Airbender’s Katara Demonstrates How to Revive a Community in Ecological distress Brought by the Colonial Expansion of the Fire Nation 

Jose Santos P. Ardivilla
Texas Tech University
Lubbock, Texas, USA
jose.ardivilla@ttu.edu

Abstract

In the third episode of Avatar: The Last Airbender’s Book 3: The Book Of Fire, The “Gaang” consisting of Avatar Aang, Toph, Sokka, and Katara chanced upon a fishing village on stilts,ravaged by the pollution of its waterways. The pollution comes from the industrial activity of the Colonial Masters’ Fire Nation which greatly affected the village. This animation is from Nickelodeon, a channel geared for children’s entertainment, thus implicates humorous asides in what purports to be a serious epicurean reclaiming of a lost balance through indigenous visual culture, solidarity, media studies, and ecocriticism. Katara disguises herself as “the Painted Lady,” a folkloric figure of the village to help in healing the sick and providing food, which proved not to be as effective until a direct confrontation with the polluters had taken place. Katara dons the appearance of the Painted Lady as a benevolent force (to rival the Fire Nation’s industrial foment) and eventually worked with the villagers to seize their village’s wellbeing by the ousting of the Fire nation. This paper explores connective nodes relating this episode with other local environmental concerns that are at the forefront of increased geopolitical tensions in the region.

Keywords Avatar: The Last Airbender, Katara, waterbending, Fire Nation, coloniality, decoloniality, animation studies, ecocriticism, popular culture, praxis

Author Bio

Jose Santos P. Ardivilla is a political cartoonist, printmaker, and writer from the Philippines. He is pursuing a PhD in Fine Arts at Texas Tech as a Fulbright-Philippine Commission on Higher Education scholar. You may reach him at ardivilla.com

Suggested Reference Citation

APA

Ardivilla, J. S. P. (2024) “Ways of decoloniality by The Painted Lady: Avatar: The Last Airbender’s Katara demonstrates how to revive a community in ecological distress brought by the colonial expansion of the Fire Nation.” Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy. 11(2) http://journaldialogue.org/v11-issue-2/ways-of-decoloniality-by-the-painted-lady/

MLA

Ardivilla, Jose Santos P. “Ways of Decoloniality by the Painted Lady: Avatar: The Last Airbender’s Katara Demonstrates How to Revive a Community in Ecological Distress Brought by the Colonial Expansion of the Fire Nation.” Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy. 2024, vol. 11, no. 2. http://journaldialogue.org/v11-issue-2/ways-of-decoloniality-by-the-painted-lady/

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Revisiting Paradise Lost Through K-Pop: A Global Approach to Teaching Writing

Nayoung Bishoff
George Washington University
Washington DC, USA
nayoung.seo@gwu.edu

Abstract

The short film series Wings (2016) by the Korean musical group BTS (Beyond the Scene) revisits John Milton’s Paradise Lost. BTS reinterprets Adam and Eve’s leaving of Eden as youths’ self-discovery process, overcoming a binary mindset. BTS emphasizes how experiences—trials, pains, and the struggle of youths to walk out of black-and-white perspectives—turn out to be “all so beautiful” as resources to grow. Wings demonstrates how the themes and elements in Paradise Lost can be used as a tool not only to explore Biblical concepts, but also to understand what pedagogical environments youths need to fully express themselves as writers. Inspired by Hermann Hesse’s Demian, BTS emphasizes this process of breaking through binary perspectives as a process of “metamorphosis” for youths. This study, therefore, aims to reveal the pedagogical importance of the self-discovery of youths, especially in higher education. BTS demonstrates how Paradise Lost not only relates to Western adaptations and theological approaches, but also carries pedagogical value to Eastern societies, encouraging South Korean youths’ self-expression. Furthermore, BTS’s emphasis on youths’ freewill can encourage a supportive environment in the writing class, which empowers them to overcome the fear of “making mistakes” and encourages them to discover their multifaceted selves.

Keywords: global pedagogy, popular culture, self-discovery, teaching writing, K-Pop, Paradise Lost

Author Bios

Nayoung Bishoff is currently pursuing a Ph.D. in English at The George Washington University, where she is a Columbian Distinguished Fellow. Ms. Bishoff’s research focuses on comparative literature between East and West, particularly Romanticism and Shakespearean adaptations. She has presented on gender, cultural globalization, childhood, and film and theater studies at the American Comparative Literature Association, Shakespeare Association of America, Asian Shakespeare Association, Renaissance Society of America, Popular Culture Association/American Culture Association, and other venues. Her most recent essay “Switching Gender Roles: Romeo and Juliet in K-drama” is in press from Borrowers and Lenders: The Journal of Shakespeare and Appropriation, issue 16.1, September 2024.

Suggested Reference Citation

APA

Bishoff, N. (2024). Revisiting Paradise Lost through K-pop: A global approach of teaching writing. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, 11(2). http://journaldialogue.org/issues/v11-issue-2/revisiting-paradise-lost-through-k-pop-a-global-approach-to-teaching-writing/

MLA

Bishoff, Nayoung. “Revisiting Paradise Lost Through K-Pop: A Global Approach of Teaching Writing.” Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy. 2024, vol 11, no. 2. http://journaldialogue.org/issues/v11-issue-2/revisiting-paradise-lost-through-k-pop-a-global-approach-to-teaching-writing/

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The Art of Inclusion: Theatre’s Contribution to Popular Culture Literacy for Students with Intellectual Disabilities

Catherine R. P. King
palmc753@newschool.edu

Abstract

This essay explores the transformative role of theatre in special education, focusing on its capacity to foster social skills and life navigation abilities in students with disabilities. In light of the fundamental importance of these skills for social inclusion and quality of life, the article highlights the innovative and effective approach to integrating theatre into special education classrooms. It discusses how theatre can empower students with disabilities by enhancing their social interaction, communication, and life navigation skills. In addition, the article delves into the intersection of theatre and popular culture, showcasing how theatre can serve as a valuable tool for helping students with disabilities understand and engage with the ever-evolving world of popular culture. Through live performances, immersive experiences, and creative exercises, theatre offers a unique pathway for students to connect with and appreciate popular culture elements, from fashion and language to societal trends.

Additionally, the essay draws upon case studies and success stories that highlight theatre’s versatility and effectiveness as a tool in special education, demonstrating its capacity to empower students with disabilities. These case studies encompass a range of disabilities in students, from Down syndrome and ADHD to deafness and physical impairments, highlighting the transformative impact of theatre on their lives. In conclusion, theatre emerges as a powerful tool for enriching the lives, of students with disabilities, equipping them with essential social and life navigation skills, and enabling them to engage with popular culture in meaningful ways. By integrating theatre into special education curricula, educators can contribute to the development of more inclusive and compassionate societies where individuals with disabilities can thrive academically, personally, and socially.

Keywords: special education, theatre education, drama therapy, popular culture, disability culture 

Author Bio

Catherine R. P. King, Ed.D., is the managing editor of the Metropolitan Universities journal. She received a doctorate in Learning and Organizational Change from Baylor University, where her dissertation explored the role the fine arts plays in university students’ development of 21st-century skills. She also received an M.S. in Strategic Design and Management from Parsons School of Design, a B.A. in Theatre Arts from Virginia Tech, and a Women in Leadership certificate from Cornell University. Her research interests include interdisciplinary arts integration, design thinking, and visual culture.

Suggested Reference Citation

APA

King, C.R.P. (2024). Art of inclusion. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, 11(1). http://journaldialogue.org/v11-issue-1/the-art-of-inclusion/

MLA

King, Catherine. “Art of Inclusion.” Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy. 2024, vol 11, no. 1, http://journaldialogue.org/v11-issue-1/the-art-of-inclusion/.

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“It’s Not My Immediate Instinct”: Perceptions of Preservice Teachers on the Integration of Popular Culture

Melinda S. Butler
University of Southern Maine
melinda.butler@maine.edu

Nadine Bravo
University of Southern Maine
nadine.bravo@maine.edu

Eva S. Arbor
University of Southern Maine
eva.arbor@maine.edu

Abstract

Popular culture curricula integration provides educational benefits for students (Morrell, 2002; Petrone, 2013); bridging students’ out-of-school popular culture knowledge with their in-school literacies promotes learning, engages students, and values students’ background knowledge (Dyson, 1993, 2021; Marsh, 2006; Morrell, 2002; Petrone, 2013). Therefore, teacher educators may consider the addition of popular culture education into preservice teacher’s preparation for teaching (Petrone, 2013). In this qualitative study, researchers were interested in asking the following questions: What popular culture texts did preservice teachers consume as children and adults? and How does preservice teachers’ previous popular culture text consumption factor into decisions to include or exclude popular culture texts in the curriculum?  Preservice teachers in a graduate teacher education program participated in surveys and interviews about their popular culture text consumption (e.g., podcasts, television shows) as children and adults. Additionally, participants were questioned about the affordances and constraints of integrating popular culture texts into the curriculum. Data were coded using In Vivo coding (Saldańa, 2013), and analyzed through a sociocultural lens (Vygotsky, 1978). Themes that were generated from the findings were: 1) popular culture text consumption as both social and shared; 2) popular culture text integration as a way to entice and engage students in learning; 3) popular culture texts as engaging and relatable; 4) popular culture as digital texts; and 5) popular culture texts as unknown or unimportant. Although all participants spoke about the benefits of popular culture text integration, the preservice teachers who consumed more of them as children and adults spoke more favorably about including popular culture texts in curricula.

Keywords: Literacy/reading; preservice teacher education; qualitative research; popular culture

Author Bios

Melinda S. Butler, Ed.D, is an assistant professor of literacy in the Department of Literacy, Language, and Culture at the University of Southern Maine and the Director of the USM Summer Reading and Writing Workshop. Her research interests include popular culture texts, student access to texts, literacy clinics, and independent reading.   

Nadine Bravo is a multilingual and multicultural second-year graduate student at the University of Southern Maine, pursuing two M.Ed. (ETEP and TESOL) and a Graduate Studies Certificate in Native American Studies at Montana State University. Her research interests revolve around the literacy of Native American English Language Learners.

Eva Arbor is finishing up her Master’s in Policy, Planning, and Management with the University of Southern Maine in hopes of one day opening a non-profit in Bangor, Maine, where she is originally from. Her interests are centered around advocacy, family planning, and access to mental health resources for marginalized individuals.

Suggested Citation

APA:

Butler, M.S., Bravo. N., & Arbor E.S. (2022). “It’s not my immediate instinct”: Perceptions of pre-service teachers on the integration of popular culture. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, 9(4), http://journaldialogue.org/issues/v9-issue-4/its-not-my-immediate-instinct-perceptions-of-preservice-teachers-on-the-integration-of-popular-culture/

MLA:

Butler, Melinda, et al. ““It’s not my immediate instinct”: Perceptions of pre-service teachers on the integration of popular culture.” Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, vol. 9, no. 4, http://journaldialogue.org/issues/v9-issue-4/its-not-my-immediate-instinct-perceptions-of-preservice-teachers-on-the-integration-of-popular-culture/

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Don’t Sweat the Technique: Rhetoric, Coded Social Critique, and Conspiracy Theories in Hip-Hop

Josh Chase
University of Louisiana Monroe
Monroe, Louisiana, United States
chase@ulm.edu

Abstract

Conspiracy theories are once again a topic of heated debate in both popular and scholarly media. Critics on one side of this debate often take for granted an “underlying assumption that conspiracy theories should be subdued if not eliminated” (Uscinski 444). Other scholars have expressed concern over the ways the “conspiracy theorist” pejorative stifles dissent and regulates political rationality (Rankin; deHaven-Smith). Bratich argues that social anxieties about issues like emerging technology and race “get managed” through the public debate about conspiracy theories as an “object of concern” (160–61). This paper asks, what are the consequences when “conspiracy panic” spreads beyond concerns about dubious claims by government officials and political pundits and begins to shape the critical response to artistic productions? An answer to this question can be found by examining the relationship between conspiracy theories and hip-hop. As a genre, hip-hop has a longstanding interest in conspiracy theories, particularly among artists known for their engagement with social issues (Beighey and Unnithan; Gosa). I start by contextualizing the conspiratorial lyrics of two historic MCs: Rakim and Tupac Shakur. I then examine a recent release by the rapper Nas. Several critics cited the perceived conspiracism in Nas’s lyrics as reason for their lukewarm response to it. I offer a counter-reading that situates the lyrics in question within Nas’s broader rhetorical strategy of giving “voice to things to which nature has not given a voice” (Quintilian 161). Ultimately, this paper makes two claims: first, hip-hop artists deploy conspiracy theories as a rhetorical technique for addressing social and political anxieties; and, second, by adopting a strict literalist frame for interpreting lyrics, we echo earlier attacks on the genre and risk undermining hip-hop’s legitimacy as a genre and as a powerful tool of what Shane Miller calls “coded social critique” (40). 

Keywords: classical rhetoric, hip hop, popular culture, conspiracy theories, social justice

Author Bio

Josh Chase is the L.M. McKneely Endowed Professor of English Literature at the University of Louisiana Monroe, where he teaches rhetoric and technical communication. His research examines conspiratorial rhetoric in public discussions of popular culture, ideology, science, and technology. 

Suggested Citation

APA

Chase, J. (2022). Don’t sweat the technique: Rhetoric, coded social critique, and conspiracy theories in hip-hop. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, 9(3). http://journaldialogue.org/issues/v9-issue-3/dont-sweat-the-technique-rhetoric-coded-social-critique-and-conspiracy-theories-in-hip-hop/

MLA

Chase, Josh. “Don’t Sweat the Technique: Rhetoric, Coded Social Critique, and Conspiracy Theories in Hip-Hop.” Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, vol. 9, no. 3, 2022, http://journaldialogue.org/issues/v9-issue-3/dont-sweat-the-technique-rhetoric-coded-social-critique-and-conspiracy-theories-in-hip-hop/

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A Touch of Grey: Personal Reflections on Teaching the Grateful Dead to Seniors

Robert Trudeau
Providence College (emeritus)
Providence, R.I.
bobtrudeau40@gmail.com

Abstract

This essay reflects on several occasions in which I was a facilitator introducing the music of the Grateful Dead to groups of senior citizens. Several themes emerge: First, there is the need to separate the facilitator’s feelings as a convinced Deadhead from the inclinations of older individuals who know little about the Grateful Dead. Second, an indirect approach that emphasizes lyrics and accessible songs seems to have the best impact, if the goal is to encourage individuals to want to learn more about, and listen to, the Grateful Dead’s music. Third, one should let students construct the framework of the information that they themselves feel they need. Finally, it takes a lot of preparation to be able to improvise in and around the structures students develop. 

Keywords: Grateful Dead, popular culture, pedagogy

Author Bio

Bob Trudeau is Professor of Political Science, Emeritus, at Providence College, where he specialized in Latin American politics, with an emphasis on Central America. He is the co-author, with Barry Barnes, of The Grateful Dead’s 100 Essential Songs: The Music Never Stops (Rowman & Littlefield, 2018), and he is a charter member of the Grateful Dead Studies Association.

Recommended citation

APA

Trudeau, R. (2022). A Touch of Grey: Personal reflections on teaching the Grateful Dead to seniors. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, 9(1 & 2). http://journaldialogue.org/issues/v9-issue-1-and-2/a-touch-of-grey-personal-reflections-on-teaching-the-grateful-dead-to-seniors/.

MLA

Trudeau, Robert. “A Touch of Grey: Personal Reflections on Teaching the Grateful Dead to Seniors.” Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, vol. 9, no. 1 & 2, 2022. http://journaldialogue.org/issues/v9-issue-1-and-2/a-touch-of-grey-personal-reflections-on-teaching-the-grateful-dead-to-seniors/

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What We Owe Our Students: The Good Place, Pedagogy, and the Architecture of Engaged Learning 

Shala Mills
State University of New York at New Paltz
New Paltz, New York, USA
millss@newpaltz.edu

Darrell Hamlin
Fort Hays State University
Hays, Kansas, USA
dahamlin@fhsu.edu

Abstract

Pedagogy is the architecture of a learning environment. The discipline of philosophy has often operated according to a pedagogy of conversation, clarity, and reflection, certainly since the era of Socratic dialogue in the streets of Athens. We argue that The Good Place occupies that space, re-setting this pedagogy as an architecture of learning through entertainment associated with ultimate matters of eternal disposition. A critical character driving conversation, clarity, and reflection across four seasons of the story’s arc is a philosopher – doomed by their own indecisive flaws – who teaches deep understanding of ethical development through a variety of relevant philosophic problems originating from intellectual history. Confronted with the complexities of an intricately connected world and highly motivated by the weight of ultimate choices, the protagonists bring a sense of how a well-constructed “classroom” can prepare students to meet ordinary challenges, extraordinary obstacles, and even existential crises. The Good Place is a classroom with a purposeful syllabus and highly motivated participants, structured for viewers to extract ethical insights of the highest consequence — if they are willing to keep trying to get it right. By comparison, this article unpacks how the American Association of State Colleges and Universities’ Global Challenges blended model course is a valuable example of high impact teaching practices which, like The Good Place, engage students through content connected to issues that confront them personally and professionally, providing them with opportunities for repetition and mastery.

Keywords: pedagogy, popular culture, wicked problems, Bloom’s taxonomy, high impact practices, global challenges, The Good Place

Author Bios

Shala Mills, Associate Provost for Academic Planning & Learning Innovation at State University of New York at New Paltz, was formerly Chair and Professor of Political Science at Fort Hays State University (Kansas).  She is the recipient of numerous teaching and advising awards. She has taught courses in the areas of law and the courts, current political issues, sustainability, food and politics, and global challenges. She served as one of the AASCU Global Engagement Scholars, was the National Coordinator for the AASCU Global Challenges Project, and was the 2017 recipient of AASCU’s Barbara Burch Award for Faculty Leadership in Civic Engagement.  Her most recent publications have been in the areas of academic assessment and leadership and global challenges.

Darrell Hamlin, Associate Professor of Political Science at Fort Hays State University (Kansas), is a Senior Fellow at the Center for Civic Leadership at FHSU and Managing Editor for the eJournal of Public Affairs.  He previously served as Associate Professor of Criminal Justice at FHSU and as Assistant Professor of Political Science at Spring Hill College (Alabama). Hamlin was one of the original AASCU Global Engagement Scholars, and his scholarly interests relate to the culture and politics of democracy.

Suggested Reference

APA

Mills, S., & Hamlin, D. (2021). What we owe our students: The Good Place, pedagogy, and the architecture of engaged learning. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, 8(2). http://journaldialogue.org/issues/v8-issue-2/what-we-owe-our-students-the-good-place-pedagogy-and-the-architecture-of-engaged-learning/

MLA

Mills, Shala, and Darrell Hamlin. “What We Owe Our Students: The Good Place, Pedagogy, and the Architecture of Engaged Learning.” Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, vol. 8, no. 2, 2021, http://journaldialogue.org/issues/v8-issue-2/what-we-owe-our-students-the-good-place-pedagogy-and-the-architecture-of-engaged-learning/

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Society Doesn’t Owe You Anything: Grand Theft Auto: San Andreas & Video Games as Speculative Fiction

Marc Oullette
Old Dominion University
Norfolk, Virginia, USA
mouellet@odu.edu 

Abstract

Since Donald Trump’s election in 2016, popular and scholarly commentators have been looking for speculative and/or dystopic literary works that might provide analogues for the Trump-era. Perhaps the most famous of these was the renewed popularity of Margaret Atwood’s The Handmaid’s Tale. In this regard, though, video games remain an underexplored fictional form. With its exaggerated and parodic satire of an America ruled by the corruption and greed of extreme right-wing populism, Grand Theft Auto (GTA): San Andreas (2004) offers a speculative fiction that players can enact as well as imagine, and simulate as well as prepare. Thus, reading the game through the lens of speculative fiction shows that GTA: San Andreas offers the kinds of intertexts, allusions, and parallels that Brabazon, Redhead, and Chivaura (2018) argue is essential for making sense of a dystopic present. 

Keywords: video games, game studies, popular culture, speculative fiction

Author(s) Bio

Suggested Citation

Marc A. Ouellette teaches Cultural and Gender Studies at Old Dominion University. He is an award-winning educator and is a Hixon Fellow.

APA

Ouellete, M. (2021). Society doesn’t owe you anything: Grand Theft Auto: San Andreas & video games as speculative fiction. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, 8(1), http://journaldialogue.org/issues/v8-issue-1/society-doesnt-owe-you-anything-grand-theft-auto-san-andreas-video-games-as-speculative-fiction/

MLA

Ouellete, Marc. “Society Doesn’t Owe You Anything: Grand Theft Auto: San Andreas & Video Games as Speculative Fiction.” Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, vol. 8, no. 1, 2021. http://journaldialogue.org/issues/v8-issue-1/society-doesnt-owe-you-anything-grand-theft-auto-san-andreas-video-games-as-speculative-fiction/ 

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The Power of Cool: Celebrity Influence in the Ivory Tower

Jena L. Hawk
Mississippi Gulf Coast Community College
Gulfport, Mississippi, USA
jena.hawk@mgccc.edu

Abstract

Since the earliest of times, student orations and student debates served as the main attractions at college or university commencement ceremonies. However, these elements faded over time, and commencement speakers, specifically politicians or academics, eventually replaced student performances. Often, the commencement speaker emphasized the students’ rite of passage into adulthood as well as the development of their moral character. During the 1800s, celebrities began to receive invitations to serve as commencement speakers, and since then, celebrity influence has increased greatly in higher education as celebrities now teach classes at colleges and universities. The use of celebrities allows colleges and universities to command the public’s attention as members of the public feel as if they have a relationship with these individuals. Using the theoretical framework of parasocial interaction theory, the researcher examines the role of celebrities in higher education, specifically those delivering the keynote commencement addresses and discusses related issues emanating from this seemingly commonplace practice.

Keywords: popular culture, celebrity, commencement speakers, graduation

Author(s) Bio

Jena L. Hawk, a life-long Mississippian, is a language arts instructor at Mississippi Gulf Coast Community College. She earned a doctorate of philosophy in higher education administration from The University of Southern Mississippi. Her research interests include the portrayal of higher education, particularly community colleges, in popular culture.  

Suggested Citation

APA

Hawk, J. (2021). The power of cool: Celebrity influence in the ivory tower. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, 8(1), http://journaldialogue.org/issues/v8-issue-1/the-power-of-cool-celebrity-influence-in-the-ivory-tower/

MLA

Hawk, Jena. “The Power of Cool: Celebrity Influence in the Ivory Tower.” Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, vol. 8, no. 1, 2021, http://journaldialogue.org/issues/v8-issue-1/the-power-of-cool-celebrity-influence-in-the-ivory-tower/

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