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Peril and Promise: Student Experiences of Virtual Reality and Implications for Inclusive Social Justice Pedagogy

Michelle VanNatta
Dominican University
River Forest, Illinois, United States
mvannatta@dom.edu

Abstract

Virtual reality (VR) is a fast-evolving technology rapidly being integrated into education and training in multiple sectors of society. As the use of VR spreads, it is important to critically analyze both its role in effective pedagogies and how students experience it. Virtual reality has extraordinary promise for deeply engaging students, and it also poses particular challenges for equitable and effective teaching of diverse students. This paper discusses students’ responses to a VR exercise and examines some of the complexities VR presents around racial justice, gender equity, and economic fairness. Virtual reality technology may be less effective and less comfortable for some types of bodies compared to others. In addition, the content of VR videos and the use of the technology to experience entering spaces that one could not otherwise access must be handled with sensitivity to power differences and social hierarchies. Finally, the potential anonymity and shifts in norms in moving into virtual interactions must be carefully addressed by instructors in order to create productive learning spaces and reduce potentially harmful or toxic interactions. This analysis focuses on teaching in the field of criminology and draws from experience exploring VR with several criminology classes, but is applicable across disciplines. Best practices involve first assessing if virtual reality is truly the best way to teach specific material and if so, using backwards design and effective teaching strategies, considering the accessibility and risks of the technology for students of different genders, races, abilities, and experiences, and carefully reviewing technology set-ups and content in order to use the technology safely and to the best advantage of students. 

Keywords: virtual reality, educational technology, diversity, social justice pedagogy, inclusive teaching 

Author Bio

Michelle VanNatta is an Associate Professor and the coordinator of the Criminology Program at Dominican University in River Forest, Illinois. She is interested in prison abolition, pedagogy, and preparing students to be trauma-informed professionals. Her previous published work addresses racism in immigration court, systemic responses to sexual violence in women’s prisons, heterosexism in battered women’s shelters, and deployment of emotion narratives in the prosecution of battered women who fight back against abusers. In her spare time, she tries to cheer herself up with novels, films, television, and podcasts that imagine other worlds. 

Suggested Citation

APA

VanNatta, M. (2022). Peril and promise: Student experiences of virtual reality and implications for inclusive social justice pedagogy. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, 9(3). http://journaldialogue.org/issues/v9-issue-3/peril-and-promise-student-experiences-of-virtual-reality-and-implications-for-inclusive-social-justice-pedagogy/

MLA

VanNatta, Michelle. “Peril and Promise: Student Experiences of Virtual Reality and Implications for Inclusive Social Justice Pedagogy.” Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, vol. 9 , no. 3, 2022, http://journaldialogue.org/issues/v9-issue-3/peril-and-promise-student-experiences-of-virtual-reality-and-implications-for-inclusive-social-justice-pedagogy/

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A Touch of Grey: Personal Reflections on Teaching the Grateful Dead to Seniors

Robert Trudeau
Providence College (emeritus)
Providence, R.I.
bobtrudeau40@gmail.com

Abstract

This essay reflects on several occasions in which I was a facilitator introducing the music of the Grateful Dead to groups of senior citizens. Several themes emerge: First, there is the need to separate the facilitator’s feelings as a convinced Deadhead from the inclinations of older individuals who know little about the Grateful Dead. Second, an indirect approach that emphasizes lyrics and accessible songs seems to have the best impact, if the goal is to encourage individuals to want to learn more about, and listen to, the Grateful Dead’s music. Third, one should let students construct the framework of the information that they themselves feel they need. Finally, it takes a lot of preparation to be able to improvise in and around the structures students develop. 

Keywords: Grateful Dead, popular culture, pedagogy

Author Bio

Bob Trudeau is Professor of Political Science, Emeritus, at Providence College, where he specialized in Latin American politics, with an emphasis on Central America. He is the co-author, with Barry Barnes, of The Grateful Dead’s 100 Essential Songs: The Music Never Stops (Rowman & Littlefield, 2018), and he is a charter member of the Grateful Dead Studies Association.

Recommended citation

APA

Trudeau, R. (2022). A Touch of Grey: Personal reflections on teaching the Grateful Dead to seniors. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, 9(1 & 2). http://journaldialogue.org/issues/v9-issue-1-and-2/a-touch-of-grey-personal-reflections-on-teaching-the-grateful-dead-to-seniors/.

MLA

Trudeau, Robert. “A Touch of Grey: Personal Reflections on Teaching the Grateful Dead to Seniors.” Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, vol. 9, no. 1 & 2, 2022. http://journaldialogue.org/issues/v9-issue-1-and-2/a-touch-of-grey-personal-reflections-on-teaching-the-grateful-dead-to-seniors/

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Transformational Learning (and Teaching) in Popular Culture and Pedagogy

When I begin writing editorials, I immerse myself in the articles, going into a mode of research. The articles become data and I start analyzing the data, looking for similarities across the texts. For this special issue, beyond the broad strokes of teaching and learning with the Grateful Dead, I was curious to see what other themes might reveal themselves.  Continue Reading →

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