Book Reviews

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Embracing the Darkness: A Review of Ebony Elizabeth Thomas’s The Dark Fantastic (2019)

Book Review: Thomas, Ebony Elizabeth. The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games. New York University Press, 2019. 225 pgs., $28.00.

Julia Watts
The University of Tennessee
Knoxville, TN, USA
jwatts4@vols.utk.edu

When Ebony Elizabeth Thomas was a child, her mother told her, “There is no magic.” As a black girl, Thomas was expected to know and accept reality. For her, there were no fairies or princesses or mermaids; there were no white knights on equally white horses. These fantasies were for white people who had nothing better to do than escape into the imaginary worlds created by and for them. Thomas was taught that magical stories were not for black readers, and she, like the speaker in one of Nikki Giovanni’s (1970) most famous poems,” “…learned/black people aren’t/suppose to dream” (lines 3-4). Continue Reading →

Taking Back the ‘F’ Word: A Book Review of The (other)F Word: A Celebration of the Fat & Fierce, edited by Angie Manfredi

Laura Davis
University of Tennessee, Knoxville
Knoxville, TN, USA
ldavi129@vols.utk.edu

Manfredi, Angie (Editor). The (other) F Word: A Celebration of the Fat & Fierce. Amulet Books, 2019. 224 pgs., $18.99.

“Your body is perfect. Yes, yours. Exactly the way it is, right now in this second.”

In The (other) F Word: A Celebration of the Fat & Fierce, editor Angie Manfredi brings together thirty voices, from middle grades and young adult authors to fat influencers and pioneers, to provide young adult readers with differing modes of storytelling – personal essays, poetry, and visual art – to celebrate the “fat” body. Across the anthology, authors and illustrators from diverse backgrounds convey their experiences with fat bodies. The variety of concepts throughout the anthology celebrate the uniqueness of the human body and champion owning all aspects of identity. With Bill Maher proposing “fat-shaming doesn’t need to end, it needs a comeback,” books like Manfredi’s push back against fat-shaming and encourage those who are fat to “realize there’s nothing wrong with being fat” (p. 1). Continue Reading →

Review of Ghettos, Tramps, and Welfare Queens

Debbie Olson, PhD
Missouri Valley College
Marshall, MO
olsond@moval.edu

Pimpare, Stephen. Ghettos, Tramps, and Welfare Queens: Down and Out on the Silver Screen. Oxford University Press, 2017. 376 pgs., $34.95.

Stephen Pimpare’s Ghettos, Tramps, and Welfare Queens is a unique jaunt through Hollywood films that feature society’s most marginalized and maligned, the homeless and the poor. Pimpare, PhD, is a senior Lecturer in American politics and public policy at the University of New Hampshire and has authored two previous books on poverty and political policy. And while Pimpare carefully acknowledges he is not a film scholar, his insightful examination of the way film (re)presents the poor and homeless is a valuable addition to both political science and cinema scholarship. Overall, Ghettos, Tramps, and Welfare Queens is a perceptive look at the intersections of popular imagery and public policy. Continue Reading →

Engaging Interdisciplinary Conversations

Nataliya Shpylova-Saeed
Indiana University
Bloomington, IN, USA
nshpylov@iu.edu

Timothy D. Saeed
Northern Vermont University
Lyndon, VT, USA
timothy.saeed@northernvermont.edu

Petermann, Emily. The Musical Novel: Imitation of Musical Structure, Performance, and Reception in Contemporary Fiction. Camden House, 2014. $85.   

The Musical Novel: Imitation of Musical Structure, Performance, and Reception in Contemporary Fiction was first published in 2014 by Camden House. This year the book appears in its paperback edition, with Boydell & Brewer. As its author Emily Petermann notes elsewhere, the new edition contains no drastic changes: a paperback version of the book seems to be an opportunity to remind the audience of the acuteness of interdisciplinary links that literature may inspire and strengthen. However, it responds to the changes of the environment shaped by interdisciplinary dialogues. Conflating at least two fields—literature and music—The Musical Novelpotentially contributes to the ongoing conversation regarding teaching across disciplines. Continue Reading →

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