Article List by Author

What We Owe Our Students: The Good Place, Pedagogy, and the Architecture of Engaged Learning 

Shala Mills
State University of New York at New Paltz
New Paltz, New York, USA
millss@newpaltz.edu

Darrell Hamlin
Fort Hays State University
Hays, Kansas, USA
dahamlin@fhsu.edu

Abstract

Pedagogy is the architecture of a learning environment. The discipline of philosophy has often operated according to a pedagogy of conversation, clarity, and reflection, certainly since the era of Socratic dialogue in the streets of Athens. We argue that The Good Place occupies that space, re-setting this pedagogy as an architecture of learning through entertainment associated with ultimate matters of eternal disposition. A critical character driving conversation, clarity, and reflection across four seasons of the story’s arc is a philosopher – doomed by their own indecisive flaws – who teaches deep understanding of ethical development through a variety of relevant philosophic problems originating from intellectual history. Confronted with the complexities of an intricately connected world and highly motivated by the weight of ultimate choices, the protagonists bring a sense of how a well-constructed “classroom” can prepare students to meet ordinary challenges, extraordinary obstacles, and even existential crises. The Good Place is a classroom with a purposeful syllabus and highly motivated participants, structured for viewers to extract ethical insights of the highest consequence — if they are willing to keep trying to get it right. By comparison, this article unpacks how the American Association of State Colleges and Universities’ Global Challenges blended model course is a valuable example of high impact teaching practices which, like The Good Place, engage students through content connected to issues that confront them personally and professionally, providing them with opportunities for repetition and mastery.

Keywords: pedagogy, popular culture, wicked problems, Bloom’s taxonomy, high impact practices, global challenges, The Good Place

Author Bios

Shala Mills, Associate Provost for Academic Planning & Learning Innovation at State University of New York at New Paltz, was formerly Chair and Professor of Political Science at Fort Hays State University (Kansas).  She is the recipient of numerous teaching and advising awards. She has taught courses in the areas of law and the courts, current political issues, sustainability, food and politics, and global challenges. She served as one of the AASCU Global Engagement Scholars, was the National Coordinator for the AASCU Global Challenges Project, and was the 2017 recipient of AASCU’s Barbara Burch Award for Faculty Leadership in Civic Engagement.  Her most recent publications have been in the areas of academic assessment and leadership and global challenges.

Darrell Hamlin, Associate Professor of Political Science at Fort Hays State University (Kansas), is a Senior Fellow at the Center for Civic Leadership at FHSU and Managing Editor for the eJournal of Public Affairs.  He previously served as Associate Professor of Criminal Justice at FHSU and as Assistant Professor of Political Science at Spring Hill College (Alabama). Hamlin was one of the original AASCU Global Engagement Scholars, and his scholarly interests relate to the culture and politics of democracy.

Suggested Reference

APA

Mills, S., & Hamlin, D. (2021). What we owe our students: The Good Place, pedagogy, and the architecture of engaged learning. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, 8(2). http://journaldialogue.org/issues/v8-issue-2/what-we-owe-our-students-the-good-place-pedagogy-and-the-architecture-of-engaged-learning/

MLA

Mills, Shala, and Darrell Hamlin. “What We Owe Our Students: The Good Place, Pedagogy, and the Architecture of Engaged Learning.” Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, vol. 8, no. 2, 2021, http://journaldialogue.org/issues/v8-issue-2/what-we-owe-our-students-the-good-place-pedagogy-and-the-architecture-of-engaged-learning/

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Experimental Forms and Identity Politics in 21st Century American Poetry

Ronnie Stephens
Tarrant County College
Arlington, TX 76063
ronnie.stephens@tccd.edu

Abstract

“Experimental Forms and Identity Politics in 21st Century American Poetry” explores the function of form in American poetry and its proximity to whiteness. Through an analysis of experimental and nontraditional forms I argue that poets Fatimah Asghar, Jericho Brown, Franny Choi, Natalie Diaz, Ilya Kaminsky, and Danez Smith challenge traditional notions of what a poem is; these authors use graphics and co-opt familiar text objects to challenge larger assumptions about gender identity, ableism, and the immigrant experience. These experimental forms are grounded in a larger poetic tradition that alters traditional forms, such as the sonnet, to disrupt and further dialogue related to oppressive tactics in American poetry. They also signal an intentional departure from strict forms associated with colonialism and mark a shift in contemporary American poetry. For educators, including nontraditional and experimental form poems in the curriculum encourages students to engage poetry as a living genre. It also invites conversation about the implications of gatekeeping in both the publishing and education industries. The co-opting and evolution of form is not just a rebellion against classic American poetry but an opportunity for students of color to engage with the literary canon on their own terms.

Keywords: Poetry, Counternarrative, #DisruptTexts, Decolonize, Technology, Sonnet, Cyborg, Pedagogy

Suggested References

APA

Stephens, R. (2021). Experimental forms and identity politics in 21st century American poetry. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, 8(2).  http://journaldialogue.org/issues/v8-issue-2/experimental-forms-and-identity-politics-in-21st-century-american-poetry/.

MLA

Stephens, Ronnie. “Experimental Forms and Identity Politics in 21st Century American Poetry”. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, vol. 8, no. 2, 2021. http://journaldialogue.org/issues/v8-issue-2/experimental-forms-and-identity-politics-in-21st-century-american-poetry/.

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Conceptualizing Empathy and Prosocial Action: Teaching Film within theLiterature Classroom

Mayuri Deka
University of the Bahamas
Nassau, The Bahamas
mayuri.deka@ub.edu.bs

Abstract

The experience of viewing a movie in the global era is multi-faceted. A viewer’s response to a cinematic experience as Carl Plantinga explains in Moving Viewers: American Film and the Spectator’s Experience is not only admiration for the aesthetics and techniques employed in the movie but also in the emotions aroused by the storyline. Audiences react to the story and characters presented with directed emotions by imagining either their mental lives and feelings or their situations. Empathy occurs within this framework of imagination where the audience engages with the story and character based on these directed emotions. The audience could not only empathize with the story or character by experiencing a similar emotion but also think about a similar situation they have experienced and attribute the emotion they experienced to the story or character. Watching a film such as How to Train Your Dragon (2010) would allow the instructor to help students sustain a coherent identity and find similarities with more and more diverse groups of people, leading to a reduction in prejudice while promoting an empathic identity. This facilitation of the development of complex identity-contents in the students based on universal affective states and life-conditions should result in them taking practical steps to alleviate the Other’s suffering and engage in social change through empathic reflection.

Keywords: Film, literature, empathy, Self/Other, pedagogy

Author Bio

Dr. Mayuri Deka is the Chair of English Studies at The University of the Bahamas. She has published and presented numerous papers on the areas of multi-ethnic identities, diasporic literatures, Postcolonial literatures, cinema, and pedagogy. Articles and chapters can be found in South Asian Review, The Journal of the School of Language, Literature & Culture Studies,Teaching Hemingway and Race and such. She is in the process of writing her book on pro-social pedagogy and social justice. Deka has taught a wide range of American and World literature courses, including texts from various diasporas and focusing on the interactions within cultures and races.

Suggested References

APA

Deka, M. (2021). Conceptualizing empathy and prosocial action: Teaching film within the literature classroom. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, 8(3). http://journaldialogue.org/issues/v8-issue-2/conceptualizing-empathy-and-prosocial-action-teaching-film-within-theliterature-classroom/

MLA

Deka, Mayuri. “Conceptualizing Empathy and Prosocial Action: Teaching Film within the Literature Classroom.” Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, vol. 8, no. 3. http://journaldialogue.org/issues/v8-issue-2/conceptualizing-empathy-and-prosocial-action-teaching-film-within-theliterature-classroom/

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Learning the Game: Individuality and Advancement in the Composition Classroom

Tyler Sheldon
Baton Rouge, LA, USA
tyrsheldon@gmail.com 

Practices in English Composition are undergoing a gradual and seemingly inexorable shift. Comp, seen by some enterprising students as a forum for exploring creative thought and for bettering oneself as a writer and as a student, has in recent years become plagued by students full of doubt rather than hope. To put it more plainly, some students seem to have acclimated to an educational system that provides reward (in the form of grades) regardless of commensurate effort. In some ways this seems a validating practice—likely many of us, as teachers, enjoy lauding our students for their sheer potential to achieve.  However, in my own composition classroom, I hold firmly to two tenets. I do not regularly give extra credit (lest it lose its value as reward for academic effort), and I do not provide answers to any student questions without first witnessing effort on the part of the student to arrive at an answer themselves. Both principles stem from my unwillingness to “spoon-feed” solutions to my students. If they are to better themselves as students and as writers, they must learn how to conduct independent research, and to venture on their own into the dark forest of databases and decks of the university library. They must learn that curricular and extracurricular life alike can be enjoyed without the lure of extra credit, and that “extra credit” as a concept is like dessert at the end of a meal: it is earned once all regular credit is complete. Furthermore, by allowing students to reflect on a question rather than blurting the answer to them right away, I am fostering the independent thought that students deny themselves when they expect their teachers to open their mouths immediately like pedagogical Pez dispensers. Continue Reading →

Are Nuclear Families the Only People That Count?

Craig Wynne
University of the District of Columbia
Washington, D.C., USA
craig.wynne@udc.edu

According to a 2016 United States Census report, 45.2 percent of Americans age 18 and older were unmarried. Projections from the Pew Research Center also indicate that by 2030, 28% of men will have not married before the age of fifty-four. Similar projections also show 23% of women also will have not wed by that same age. These statistics are important because they show that marriage does not hold the same level of importance in people’s minds as it once did, as many people are marrying later, or in some cases, finding happiness in a life outside of marriage. Yet single people are still marginalized in various cultures. Continue Reading →

Review of The Missing Course: Everything They Never Taught You About College Teaching, by David Gooblar

Review of The Missing Course: Everything They Never Taught You About College Teaching, by David Gooblar

Gooblar, David. (2019). The Missing Course: Everything They Never Taught You About College Teaching. Cambridge, MA: Harvard University Press.
272 pages, Hardcover, $29.95

Tyler Sheldon
Louisiana State University
Baton Rouge, LA., USA
tyrsheldon@gmail.com

In his new book The Missing Course, David Gooblar writes toward college teachers and administrators alike when he asserts that a more student-centered learning environment is far more effective than a lecture-based classroom. Applied active learning, he asserts, is crucial to student success. Unlike much recent pedagogy scholarship, which contends that a lecture-based classroom is standard for a reason (time-honored “effectiveness,” efficiency, routine), Gooblar favors an engaged and immersive experiential style of teaching. He argues that “[i]n the not-too-distant future, it is now imaginable that researchers will refuse to study lectures as a mode of teaching because to do so would be an unethical imposition on the poor students who have to suffer through them.” He emphasizes this point by noting that some pedagogy scholars are already beginning to agree, and (like him) are treating the experiential model as a foregone conclusion, moving from “the active learning versus lecturing question and focus[ing] instead on determining what kinds of active learning work best” (p. 15). Continue Reading →

Evolving Awareness of Popular Culture and Pedagogy: A View into Celebrity, Song, Narrative, and Superheroes

As we enter 2021, we can see the evolving nature of popular culture and pedagogy emerging during times of social distancing. For instance, the SWPACA conference is being held virtually, for the first time in its 42 year history. In this issue of Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, we have an opportunity to look across articles linking the way we think about our world through the lenses of popular culture and pedagogy. 

Using insights from a range of popular culture topics—song lyrics, the narrative behind video games, superhero story plots, and celebrity speakers—the articles provide readers with ways to think about learning. For those of us who are educators, we have the opportunity to consider informal and formal learning through popular culture. Across these works, the authors speak to questions such as what is the impact of celebrity speakers? How can we make sense of a “dystopic” present? How might superheroes help us to understand civics? And how can we make learning interesting?

In the first of the articles, we hear from Jena L. Hawk’s in The Power of Cool: Celebrity Influence in the Ivory Tower. In the text, she traces the development of trends underlying commencement speeches such as that of the initial emphasis on inspirational wisdom-filled lectures by a politician or a graduating star student to a move towards speeches delivered by celebrity speakers. Hawk discusses how this latter approach can serve the educational establishment by providing a means to promote itself and enhance its competitiveness, yet can also pose problems. Setting her essay within the framework provided by parasocial interaction theory, Hawk argues that this practice can be detrimental to the sense of identity of the public attending the graduation ceremony, and more worryingly, to members of the graduating class the celebrity is addressing. 

The ways we are affected by what we see and hear can be linked as well to other forms of cultural input, such as through gaming. In the second article in the issue, we hear from Marc Ouellette, in his article, Society Doesn’t Owe You Anything: Grand Theft Auto: San Andreas and Video Games as Speculative Fiction. Here, Ouellette likens dystopian literature like Margaret Atwood’s Handmaid’s Tale, for example, and video games like Grand Theft Auto: San Andreas to a type of speculative fiction in whose world issues from our current world are reflected, created, and predicted. More specifically, the tilt towards right-wing extremism that has been amplified in the U.S. during the Trump administration is reflected in GTA: San Andreas’ alternative world. Yet a key difference between dystopic literature and video games is the interactive nature of video games, which Ouellette argues acts as a means to mitigate issues faced in a dystopic world and offers a potential for developing solutions. 

As we move into the third article, we can consider the influence of the superhero as a cultural icon and its potential for pedagogy. In The Many Ways of Wakanda: Viewpoint Diversity in Black Panther and Its Implications for Civics Education, Justin Frank Martin demonstrates the possibilities of embedding popular fiction in the form of superhero films in primary school civics classrooms by highlighting key events presented in the 2018 film Black Panther. Hence, using the responsibilities of T’Challa the main character and superhero of Black Panther offers ways to consider issues of fairness, justice, and consequence. Martin formulates his explanation within the framework of social domain theory and draws a connection between the concepts embedded therein and the understanding children are believed to have of the world they live in. By highlighting the situations appearing in the film as well as students’ own behaviours that represent aspects of the theory, Martin points to ways these can be used to develop students’ ability to analyze and comprehend behaviours and situations, and thus bring about a better understanding of their own social worlds. Martin provides a possible pedagogical plan for approaches which could be integrated into teaching methodology.

The final article of this issue addresses eliciting freshman students’ media literacy to enhance engagement in first-year writing classes. In Guiding Students Down that “Old Town Road: Writing Pedagogy, Relatability and the Sitch,” Lynn D. Zimmerman addresses how many students, upon entering colleges and universities, may view writing classes as a burden, academic writing as foreign, and the subjects therein as unrelatable. Yet, for Zimmerman, this can be averted by incorporating topical and even controversial issues as demonstrated in social media feeds as a way to encourage discussion and debate. The author demonstrates how bringing these topics into the classroom can guide students away from a tendency to unquestioningly accept one point of view. Instead, she explains how an examination of lyrics such as in the rap-country song, “Old Town Road” by Lil Nas X, can lead students towards being better able to evaluate, comprehend and explain different perspectives.

In the end, these four articles showcase the importance of adapting to and evolving with themes across popular culture to better understand students and ourselves. Just as the issue addresses an evolving state, so too is Dialogue evolving and adjusting to the needs of the community. We welcome Miriam Sciala as Interim Managing Editor and thank Kirk Peterson for his work. Also, we have brought to the team, Joseph Yap, as our new Reference Editor, who joins with Copy Editors, Rheanne Anderson and Robert Gordyn. Lastly, thank you to our Creative Director, Douglas CohenMiller and our robust set of peer reviewers. The entire team has moved through challenging times and we thank you all for your coordinated efforts and commitment to Dialogue and are pleased to share these works in Evolving Awareness in Popular Culture and Pedagogy.

Miriam Sciala
Interim Managing Editor
Anna S. CohenMiller
Editor in Chief

Suggested Reference Citation

APA

Sciala, M., & CohenMiller, A. S. (2021). Evolving awareness of popular culture and pedagogy: A view into celebrity, song, narrative, and superheroes. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, 8(1). http://journaldialogue.org/issues/v8-issue-1/evolving-awareness-of-popular-culture-and-pedagogy-a-view-into-celebrity-song-narrative-and-superheroes/

MLA

Sciala, Miriam, and Anna S. CohenMiller. “Evolving Awareness of Popular Culture and Pedagogy: A View into Celebrity, Song, Narrative, and Superheroes.” Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, vol. 8, no. 1, 2021. http://journaldialogue.org/issues/v8-issue-1/evolving-awareness-of-popular-culture-and-pedagogy-a-view-into-celebrity-song-narrative-and-superheroes/

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Guiding Students Down that “Old Town Road:” Writing Pedagogy, Relatability and the Sitch

Lynn D. Zimmerman, PhD
Governors State University
University Park, Illinois, USA
professorldz@yahoo.com

Abstract

This study draws on media literacy to suggest pedagogical techniques that aim to combat boredom and enhance student engagement in freshman writing classes. Students often complain they cannot relate to course work; they maintain that course materials do not connect to their real lives and are therefore uninteresting. Because writing classes can serve as an introduction to academic discourse and skillful writing promotes academic success, negative attitudes about writing matter. Instructors craft courses to achieve learning outcomes but also to foster the habits of mind effective writing demands. I contend that discussing and writing about timely, controversial topics from students’ social media feeds teaches them to identify the complex power structures at play in the materials they do find pertinent. Students gain confidence by demonstrating adept understandings of contentious issues and, in fostering this process, instructors neutralize the relatability problem by allowing students to choose the topics they deem compelling.

Keywords: Freshman writing, media literacy, student engagement, lesson plans, social media, pedagogical techniques

Author(s) Bio

Lynn D. Zimmerman is a native of Cleveland, Ohio and English professor who has taught at Kent State University, Case Western Reserve University, John Carroll University, and Notre Dame College. Most recently she served as a visiting professor for Governors State University in Illinois. Her areas of teaching and scholarly interests include American Militia and Domestic Terrorism Discourse; Modern and Contemporary Novel; Horror Literature; British Victorian Literature; and Popular Culture Studies. Her article titled “Singing Truth to Power: Folk Music and Political Resistance in Steven Conrad’s Patriot” is forthcoming this spring in The Popular Culture Studies Journal. She is currently working on a project that explores metatextuality and counterfactuals in the standup comedy of Jim Gaffigan.  Zimmerman completed her BA and MA in English from John Carroll University and her PhD in English from Kent State University. More information can be found at Lynn Zimmerman PhD | LinkedIn and she can also be reached via professorldz@yahoo.com.

Suggested Citation

APA

Zimmerman, L. D. (2021). Guiding students down that “Old Town Road:” Writing pedagogy, relatability and the sitch. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy. 8(1). http://journaldialogue.org/issues/v8-issue-1/guiding-students-down-that-old-town-road-writing-pedagogy-relatability-and-the-sitch/

MLA 

Zimmerman, Lynn D. “Guiding Students Down that “Old Town Road:” Writing Pedagogy,  Relatability and the Sitch.” Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy. vol. 8 , no. 1, 2021. http://journaldialogue.org/issues/v8-issue-1/guiding-students-down-that-old-town-road-writing-pedagogy-relatability-and-the-sitch/

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Society Doesn’t Owe You Anything: Grand Theft Auto: San Andreas & Video Games as Speculative Fiction

Marc Oullette
Old Dominion University
Norfolk, Virginia, USA
mouellet@odu.edu 

Abstract

Since Donald Trump’s election in 2016, popular and scholarly commentators have been looking for speculative and/or dystopic literary works that might provide analogues for the Trump-era. Perhaps the most famous of these was the renewed popularity of Margaret Atwood’s The Handmaid’s Tale. In this regard, though, video games remain an underexplored fictional form. With its exaggerated and parodic satire of an America ruled by the corruption and greed of extreme right-wing populism, Grand Theft Auto (GTA): San Andreas (2004) offers a speculative fiction that players can enact as well as imagine, and simulate as well as prepare. Thus, reading the game through the lens of speculative fiction shows that GTA: San Andreas offers the kinds of intertexts, allusions, and parallels that Brabazon, Redhead, and Chivaura (2018) argue is essential for making sense of a dystopic present. 

Keywords: video games, game studies, popular culture, speculative fiction

Author(s) Bio

Suggested Citation

Marc A. Ouellette teaches Cultural and Gender Studies at Old Dominion University. He is an award-winning educator and is a Hixon Fellow.

APA

Ouellete, M. (2021). Society doesn’t owe you anything: Grand Theft Auto: San Andreas & video games as speculative fiction. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, 8(1), http://journaldialogue.org/issues/v8-issue-1/society-doesnt-owe-you-anything-grand-theft-auto-san-andreas-video-games-as-speculative-fiction/

MLA

Ouellete, Marc. “Society Doesn’t Owe You Anything: Grand Theft Auto: San Andreas & Video Games as Speculative Fiction.” Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, vol. 8, no. 1, 2021. http://journaldialogue.org/issues/v8-issue-1/society-doesnt-owe-you-anything-grand-theft-auto-san-andreas-video-games-as-speculative-fiction/ 

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The Many Ways of Wakanda: Viewpoint Diversity in Black Panther and Its Implications for Civics Education

Justin Frank Martin
Whitworth University
Spokane, Washington, USA
jmartin@whitworth.edu

Abstract

Like many of its superhero film predecessors, Black Panther (2018) achieved widespread popularity both domestically and internationally. Although the film examines the focal character T’Challa’s (Black Panther) attempt to balance his dual responsibilities as king and protector of Wakanda, the viewpoint diversity displayed by its citizens suggests that the film’s central character is Wakandan society. Drawing on events and themes from the film, the essay argues that social domain theory (SDT)—a theory that attempts to explain the development of sociomoral concepts across the lifespan—provides a useful lens to examine Wakandans’ viewpoint diversity as portrayed in the film, specifically with regards to general similarities between the sociomoral considerations at the heart of the film, and those people bring to bear when understanding their social worlds. Moreover, the essay contends that such an analysis suggests that Black Panther (2018) may have some value for primary school educators as a potential aid towards their efforts to create learning activities related to civics education. 

Keywords: Black Panther, superheroes, society, education, social studies, children, civics, sociomoral development

Author Bio

Justin Martin, PhD is currently Assistant Professor of Psychology at Whitworth University. His research explores the development of social and moral concepts, specifically with regards to the ways we try to understand the decisions of other people as well as superheroes. He also writes for various popular press outlets such as Modern Treatise, PopMatters, and the Center for Scholars and Storytellers. For more about Justin and his research, visit https://justinmartin.academia.edu/

Suggested Citation

APA

Martin, J. (2021). The many ways of Wakanda: Viewpoint diversity in Black Panther and its implications for civics education. Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, 8(1). http://journaldialogue.org/issues/v8-issue-1/the-many-ways-of-wakanda-viewpoint-diversity-in-black-panther-and-its-implications-for-civics-education/

MLA

Martin, Justin. “The Many Ways of Wakanda: Viewpoint Diversity in Black Panther and Its Implications for Civics Education.” Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy, vol. 8, no. 1, 2021. http://journaldialogue.org/issues/v8-issue-1/the-many-ways-of-wakanda-viewpoint-diversity-in-black-panther-and-its-implications-for-civics-education/

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